Gravity And Grace
Anna Wild
2022
In the book “Gravity and Grace”, French philosopher Simone Weil coined the term Decreation, describing a desire to empty the self in order to make room for something beyond our perception. Decreation is a spiritual tool, a kind of technology which enables us to contain the un-understandable and the unknown, wonder and awe; it allows for a sensitive, sensible empathic experience of the self and its surroundings.
The work was created by Johanna Markert and Ana Wild, following a joint close reading of Simone Weil, and it consists of a book and a performance. It is intended to be read outdoors. Each audience member receives a book and follows the reading, read by four performers.
The text is a kind of a play; it indicates two types of reading: reading out loud, and reading silently. This proposition evokes a cognitive phenomenon called Subvocalization: the act of inaudibly articulating the words that we read, “hear” them in our minds. This phenomenon is recognized as an important factor in the faculty of understanding and interpreting.
- Pages: 138
- Type of binding: cloth bound
- Printing: A.R. Printing
- Publication: Poraz et Navok
- Place of publication: Tel Aviv
- Supported by: The Israel Lottery Council for Culture and the Arts, Diver Festival, and Tights — Dance and Thought
- Book photography: Yair Meyuhas
- ISBN: 978-965-599-809-2
Ana Wild, born in 1987, lives and creates in Tel Aviv-Yafo. She is a graduate of the School of Visual Theater in Jerusalem and received an MFA from DasArts in Amsterdam. A performance and installation artist, Wild is interested in voice, in speaking, in words, in knowledge-structures, in anthropology, history, mythology, poetry, graphic design, electricity, in creation ex-nihilo, in miracles, in musicality, learning, understanding, repetition, cyclicality, in Hebrew, English, French, Arabic, in translation, in print, in magic, in adventure, in friendship, in agency and in power. Her works range from gallery to theater, from live performance to installations and video. She teaches at “Olympus,” a program for creators at Liebling House, and the School of Visual Theater. Her book Gravity and Grace was written in collaboration with Johanna Markert, an artist and curator who works in Berlin. The two met when they participated in the “Akademie Schloss Solitude” residency program in Stuttgart.

