The Bling Merchant

Roee Rosen

2016

1989-1991

An artist book juxtaposing text and image, history and its revision, The Blind Merchant was produced from 1989 to 1991. The work is composed of three elements: the complete text of Shakespeare’s The Merchant of Venice; a “parasitical” text written by Roee Rosen that runs alongside the play, adopting the perspective of the principal antagonist Shylock, the Jewish moneylender; and 145 drawings that present an alternative approach to the drama’s staging and casting of characters—Shylock is depicted as the blind merchant with drawings made by the artist while blindfolded.

The book is also telling of its time, produced at the moment when the idea of originality was up for question, the subaltern was asked to speak, and just before Silicon Valley took over our imaginations. A compelling superimposition of Shakespeare, The Blind Merchant shows that classic stories are still open for new angles of approach that reflect the times of its reading.

  • Pages: 312
  • Type of binding: Softcover
  • Dimensions (cm): 21.6X27.8
  • Publication: Sternberg Press
  • Place of publication: Berlin
  • Book photography: Yair Meyuhas
  • ISBN: 9783956791864

Roee Rosen (born 1963 in Rehovot) is an Israeli-American multidisciplinary artist, filmmaker, and writer known for his multilayered, provocative works that blur the lines between history and the present, documentary and fiction, and politics and erotica. Educated in philosophy and literature at Tel Aviv University before earning a BFA from the School of Visual Arts (1989) and an MFA from Hunter College (1991), Rosen is a professor at Beit Berl College’s HaMidrasha Faculty of the Arts and at the Bezalel Academy. He is known for fabricating intricate fictional personas like Justine Frank and Maxim Komar-Myshkin, and for works such as Live and Die as Eva Braun, The Blind Merchant, The Dust Channel, and Kafka for Kids. His films Out (or Tse) and The Buried Alive Videos have garnered international acclaim, and his work has been exhibited worldwide in institutions such as Centre Pompidou, documenta 14, and in retrospectives.