“His books were meant to be stages from which he transmitted signals to the outside, beyond the Meir-Agassi universe.”
Avshalom Suliman and Shiraz Grinbaum
No One to Ask
Interview
״The question of where is your garden is actually a question of territory – where do you situate yourself at this given moment.״
Meital Katz Minerbo
The Handbook of Human Botany
Interview
"The train is a doubly transitional object: it is a temporary home, a room that is supposed to provide you with a sense of comfort."
Ira Eduardovna
The Iron Road
Interview
"In Wadi al-Na’am, I saw the past of Al-Araqib and the future of Twayyel Abu Jalwar.”
Miki Kratsman
Bedouins
Interview
"I deal with how to position myself in the face of a narrative that I am not fully responsible for."
Hagar Cygler
Don't Take It To Heart
Interview
"The word 'Universal' calls for union at the same time as it splits from the world, a fitting name for the book."
Hillel Roman
Universal
Interview
“The first artist’s book foretold a deep infatuation, and everything that appeared afterwards.”
Hila Lulu Lin Farrah Kufer Birim
White Paper Series
Interview
"Painters like to step back from, then get closer to the painting and ask, how did they do that?”
Elad Larom
Portals and Commodities
Interview
"A book is like a children's game where you place blocks on top of each other and hope they don’t fall."
Reut Asimini
Maya and Me
Interview
"We all thought we would like a simple, somber cover that would contrast with the colorfulness on the inside."
Lev Afor
Fugue
Interview