“His books were meant to be stages from which he transmitted signals to the outside, beyond the Meir-Agassi universe.”

Avshalom Suliman and Shiraz Grinbaum

No One to Ask

Interview

״The question of where is your garden is actually a question of territory – where do you situate yourself at this given moment.״

Meital Katz Minerbo

The Handbook of Human Botany

Interview

"The train is a doubly transitional object: it is a temporary home, a room that is supposed to provide you with a sense of comfort."

Ira Eduardovna

The Iron Road

Interview

"In Wadi al-Na’am, I saw the past of Al-Araqib and the future of Twayyel Abu Jalwar.”

Miki Kratsman

Bedouins

Interview

"I deal with how to position myself in the face of a narrative that I am not fully responsible for."

Hagar Cygler

Don't Take It To Heart

Interview

"The word 'Universal' calls for union at the same time as it splits from the world, a fitting name for the book."

Hillel Roman

Universal

Interview

“The first artist’s book foretold a deep infatuation, and everything that appeared afterwards.”

Hila Lulu Lin Farrah Kufer Birim

White Paper Series

Interview

"Painters like to step back from, then get closer to the painting and ask, how did they do that?”

Elad Larom

Portals and Commodities

Interview

"A book is like a children's game where you place blocks on top of each other and hope they don’t fall."

Reut Asimini

Maya and Me

Interview

"We all thought we would like a simple, somber cover that would contrast with the colorfulness on the inside."

Lev Afor

Fugue

Interview